(CAMERA BODY)
LEICA M10 MONOCHROM, LEICA Q2 MONOCHROM
(LENSES)
FOCAL LENGTH 18mm, 21mm, 28mm, 35mm
(READ THIS)
NEW YORK, PARIS, HONG KONG, LONDON,
GENOVA, DAKAR
(Read this)
(Read this)
There is a certain performative language that exists during day-to-day social interactions that often masks who people are, how they feel, and how they would otherwise behave.
In this series, Charles Ewing searches beneath that performance to explore a simple, but very human idea. That night, with its quiet comfort, often allows us to be our authentic and unapologetic selves.
Using flash, Ewing quite literally shines a spotlight on who his subjects really are. These are images of people caught in rare moments when they are no longer performing a version of life filled with societal expectations, but are instead simply living it. They are images of people who appear unstructured, vulnerable, imperfect, and entirely human.
There is a certain performative language that exists during day-to-day social interactions that often masks who people are, how they feel, and how they would otherwise behave.
In this series, Charles Ewing searches beneath that performance to explore a simple, but very human idea. That night, with its quiet comfort, often allows us to be our authentic and unapologetic selves.
Using flash, Ewing quite literally shines a spotlight on who his subjects really are. These are images of people caught in rare moments when they are no longer performing a version of life filled with societal expectations, but are instead simply living it. They are images of people who appear unstructured, vulnerable, imperfect, and entirely human.
(CAMERA BODY)
LEICA M10 MONOCHROM, LEICA Q2 MONOCHROM
(LENSES)
FOCAL LENGTH: 18mm, 21mm, 28mm, 35mm
(LOCATION)
New York, Paris, Hong Kong, London , Genova, Dakar
(READ THIS)
(READ THIS)
There is a certain performative language that exists during day-to-day social interactions that often masks who people are, how they feel, and how they would otherwise behave.
In this series, Charles Ewing searches beneath that performance to explore a simple, but very human idea. That night, with its quiet comfort, often allows us to be our authentic and unapologetic selves.
Using flash, Ewing quite literally shines a spotlight on who his subjects really are. These are images of people caught in rare moments when they are no longer performing a version of life filled with societal expectations, but are instead simply living it. They are images of people who appear unstructured, vulnerable, imperfect, and entirely human.
